​“Not all stories of adoption are stories of pain and regret. Not even most of them. Why don’t we ever get that movie?”

India Allwood grew up wanting to be an actor. Armed with a stack of index cards (for research/line memorization/make-shift confetti), she goes from awkward sixteen-year-old to Broadway ingenue to TV superhero.

Her new movie is a prestige picture about adoption, but its spin is the same old tired story of tragedy. India is an adoptive mom in real life though. She wants everyone to know there’s more to her family than pain and regret. So she does something you should never do — she tells a journalist the truth: it’s a bad movie.

Soon she’s at the center of a media storm, battling accusations from the press and the paparazzi, from protesters on the right and advocates on the left. Her twin ten-year-olds know they need help – and who better to call than family? But that’s where it gets really messy because India’s not just an adoptive mother. She also had a baby she gave up for adoption her senior year of high school. That baby is now sixteen, excited to meet her birth mother and eager to help, but she also has an agenda and secrets of her own. It turns out what makes a family isn't blood and it isn't love because no matter how they're formed, the hallmark of true family is this: it's complicated"--

Laurie Frankel is the New York Times bestselling, award-winning author of novels such as The Atlas of Love, Goodbye for Now, and the Reese's Book Club x Hello Sunshine Book Pick This Is How It Always Is. Frankel lives in Seattle with her husband, daughter, and border collie. She makes good soup.